Miroslav

Miroslav presents: Deep Intuition

For the past ten years, Miroslav has been on a self-imposed journey of reflection, awareness, and growth through most varieties of electronic music. He’s the kind of guy who can happily spend the entire (and he means entire) day at Gramaphone Records when he visits Chicago. He makes no secret about being an obsessive perfectionist who will at times readily devote weeks, even months to building the perfect track list. Simply put, this is not just a hobby; Miroslav lives, eats, sleeps, and breathes this stuff each and every day.

Originally from Slovakia, Miroslav grew up in the Midwestern USA in a very musical household, where he spent his high school and college years training extensively as a classical flute player and later as a self-taught guitar player. Everything changed for him one day in the summer of 1997, when a listening of DJ Shadow’s “The Number Song” set him on a musical path that would take him through down-tempo, indie hip hop, drum ‘n bass, ambient, deep house, progressive house and finally minimal house/deep techno. An all-vinyl DJ now for the past five years, he has invested many thousands of dollars in his 700+ record collection and has earned a handsome return despite never making a cent off of his obsession. He’s played out on a variety of occasions, but a full-time graduate student schedule keeps him pretty busy; he can most often be found playing at all-night after-hours parties with old friends.

“This music is a precise reflection of who I am; it’s hard for me to even put into words the philosophical and therapeutic implications that a constantly changing musical loop has for me. It’s the perfect mood equivalent to meditation; it’s like immersing yourself in a slowly changing kaleidoscope or watching clouds pass overhead on a summer day. I don’t think I’ll ever outgrow this.”

“The Deep Intuition show will see me broadening my musical expressions further than some people may expect based on my past releases. Deep techno, minimal, tech house, progressive, ambient, down-tempo – all that and more will likely find its way into the sound. Ultimately, I don’t want to over-think this or attach too many labels to it. It all comes down to an intuitive experience that continually redefined itself from the perspective of the listener.”

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